The entire shoot is being done on location, rather than on sets. So, in each day's shoot, there's a certain amount of 'greeking and tweaking' that has to be done. I was happy to see how easy it was to turn 'Dawn' into 'Lavin'. And, mmmmmm, Samp.
I am working on a project called $5 Cover Seattle. It's about the music scene in Seattle. It's a web series being made for MTV. Lynn Shelton directs, Ben Kasulke is Director of Photography. I'm the Production Designer. We're shooting for the month of August. The crew is amazing, and it's been so much fun to work on.
The bands are real bands, the relationships are real, but Lynn has woven a narrative thread and created a story. Here's a 'map' I drew of the players (from Lynn's extensive notes!) to show who's who, and how they relate.
For the latest David Leonard Taco Time ad, I worked with Kaleo Quenzer to make a body cast. The cast was an actual plaster cast, made over a cardboard suit. It was made in pieces - head, torso, legs and arms. Some close-up shots were done with just the mask. But when the actor had to be in the wide shot, Kaleo and I patched him into the full suit on the spot, for the shot. He was in a full body cast, head included, for hours. Ah, the glamourous life of an actor. Here's a location shot, and a link to the 30 second spot.
Just finished working on a great fun gig. Making a commercial (for a client I can't name yet). But it involved making a Mini-mart, a Ceiling/Dance floor, an Eiffel Tower, and best of all, a Carousel! I worked for Jason Puccinelli, and with a fantastic crew, including Oscar Lofgren, Sheffskie Paba, Curtis Taylor, and David Bowen. I was mostly involved in the building and painting of the carousel. Great Project. Great team. More about it later, but here are some photos of the shoot.
I recently did this illustration for Alaska Seafood. It has been made into a poster, which should be appearing soon in Kroger grocery stores nationwide. Next time you're buying fish, take a look!
I recently made a small set for a catalog shoot, that was intended to look like an old half-timbered building. I made the wall, put together the salvaged wood into 'timbers', and drove some big nails as coat hooks. The hangers were part of the job, too. They were new, but made to look like weathered antiques.
I recently made a column of stone, out of foam, for an Eddie Bauer Catalog Shoot. It was made to be on a set that matched an interior from a location shot. Here are a few pictures of the column in progress, to show how I did it, and how it turned out.
We made all kinds of stuff. These 'helicopter seeds' twirl as they fall. There were dioramas, Polar bear dens, a bunch of tents, a jeep, Coral reefs, Weather stations, a boat, and half a bison! It was a huge project, which took two semis to load it all to travel to Denver. Here's a link to a preview of the project. I'll post more pictures when I get them.
Here are more pictures of the work in progress. Kevin Seal worked with me a lot. It's always good to work with Kevin. We did a lot of foam-carving. Here are a few pictures of the crawl-through coral reef, the polar bear den, and the reef diorama.
I have been doing work with Seth! Leary of NRG! Exhibits (exclamation points are his, and not intended to be pronounced like clicks, so far as I can tell). He develops traveling science exhibits for Kids' Museums. This show starts in Denver, where Seth is installing it this very day. I'm sure it's a very LONG day for Seth, because there was a PILE of stuff made for this exhibit.
Here are more pictures of the Taco Time Set, at Seattle Grip and Lighting. And here's a link to the ad that's been running. David Leonard, of Leonard Creative, created the ad. Pat Cashman is the talent. Oscar, Kaleo and I were the Art Department.
Here's a shot of the set for the latest Taco Time Commercial. Oscar Lofgren and Kaleo Quenzer worked on it with me. I love working with those guys. I won't give away the gag. I'll provide a link when the ad airs in a week or so. But I thought the set was cool, so here's a preview.
That's me, looking slightly deranged (OK, more than slightly), after a long day in the studio. I was working on a Taco Time commercial. I had just finished building the car behind me out of blue foam. When the ad airs, I'll include a link.
I recently did an illustration for the people at Visions Espresso. They sell espresso machines and coffee equipment and paraphernalia to cafes and retail customers. Very Seattle, ainit?
I just opened an online shop for my artwork, at etsy. Check it out! I only have a few pieces on there at the moment, but stay tuned...
Sometimes people contact me, and want to know where they can get work like the stuff I did for Starbucks or Fuego Stores. So, I recently made these small collages, and will continue to keep things in the 'shop'. Tell your friends!
The Painting I made for Bennett's Bistro, on Mercer Island, is complete. The Private Dining Room just opened, with its dark wood wine racks and cork-covered walls. The room looks great, and I'm happy to have been a part of the new look.
The video work done with World Famous is now on the Nordstrom website. Here are a couple of stills from the video. And if you Click on 'Fit Fundamentals', you can find the whole video, shot on the set I made. You'll also find everything you could ever want to know about buying jeans. I mean EVERYTHING. Unfortunately, the cool loft door that I made never made it into the shot. I'll have to use it again on another project someday.
Tony Fulghum and crew at World Famous did a great job with this project. Great camera work, and a beautiful job editing the final product.
These are a few stills from a Taco Time television ad I recently had the chance to Art Direct. Here is a link to the ad on YouTube. David Leonard directed, and we shot it on location in a Taco Time in Issaquah, WA. Oscar Lofgren and Fernando Dingler worked with me, building the sets, and on location. To add to the stodgy ambiance, I made a quick little equestrian painting for the shot, which you can see in the middle shot. The Fancy Restaurant Set had to pull apart, and move quickly offscreen, revealing the Taco Time. (then go back together for multiple takes).
I've been working with the people at Nordstrom a lot lately. Making backdrops for online and catalog photo shoots. The people at Studio N are always a pleasure to work with. Here is a small sampling of some of the backdrops I have made recently for them.
I had a great day painting at the Red Willow Vineyards, in the Yakima Valley. I am working on a big painting for Bennett's Bistro, on Mercer Island, and wanted to get out there to make some studies. I met Mike Sauer, who let me run around and set up my easel on his hillsides. Mike has been on this land for years -- he was one of the first grape growers in the Yakima Valley. He took the great photos on Red Willow's website. The little chapel on the hill was built from rocks cleared from the land, and has become a real local landmark. Mike sent me home with a nice bottle of wine from his vines, and I left him with a souvenir painting (the one on the easel), a picture of his chapel. It was a great way to spend a beautiful fall day.
Nordstrom asked me to do the sets for their shoe catalog. I made a bunch of backdrops, some flats, some on fabric. Kevin Zeigler did the Art Direction, and Gary Martino did the styling on this beautiful shoot.
I recently Art Directed another project with World Famous. This was a shoot for Nordstrom's website. Tony Fulgham directed, and Ryan McMackin was the shooter (that's him in the shot above). I made the set. Oscar Lofgren helped me. It was supposed to be a loft, with a wood floor, with 20 feet of wall, part finished, part exposed brick. We had two days of shooting on the loft set. I particularly like the way the big metal rolling door (on the left side) turned out. It was made of foam, contact paper, tape and roofing nails, and weighed a couple of pounds, but it looked like it weighed a ton.
I'll attach a link to the final product when I get it.
John Lavin makes sets and props for film and print. He is a Production Designer, painter, illustrator, builder, and jack-of-all-trades artist.
John can be reached at john@lavinstacey.com